A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Dejan Jovanovic

Jewelry artist, Dejan Jovanovic was born in Serbia and has been established in Washington, DC since 2002. He graduated in applied sculpture from Belgrade University of the Arts, received his MFA in metal design from ECU School of Art and Design and has won numerous international awards and prizes.

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He is inspired by exploration of archaic, particularly medieval, metal-smithing forms and techniques which he revives with a modern sensibility. He explores the possibilities for color, texture, surface finishes and connections in his pieces. The desire to explore the varied ways in which traditional jewelry design can be extended and the transitions from traditional perceptions of jewelry towards new artistic expressions is at the heart of all of Dejan's work. His training as a monumental sculptor translates to his work in smaller forms where he captures fluid sculptural movement informed by organic elements and rugged texture and explores the possibilities of combining negative spaces, abstract forms and lines and balanced proportions in his dynamic compositions.

Dejan has exhibited his work in the US and Europe. He has worked for fabrication and metal-smithing projects for the White House, Smithsonian Institution, Blair House and the Washington National Cathedral and has also worked for Tiffany & Co.

Official web-site


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People Directory

Andrei Simic

Education:

  • Ph.D. Social Anthropology, University of California, Berkeley, 1970

Academic Employment:

  • Professor of Anthropology, University of Southern California, 1991

Description of Research:
Summary Statement of Research Interests

  • Professor Simic studies the ethnography of Europe, with a focus on the Balkans and Eastern Europe. His research centers on ethnicity, nationalism, and post-Communist society with particular emphasis on former Yugoslavia. His other specialties include the study of American ethnic groups, cross-cultural gerontology, and visual anthropology.

Research Keywords

  • Balkans and Eastern Europe, Ethnicity, Nationalism, Post-Communist Society, Cross-cultural Gerontology, Visual Anthropology
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Publishing

Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0