A great man is one who collects knowledge the way a bee collects honey and uses it to help people overcome the difficulties they endure - hunger, ignorance and disease!
- Nikola Tesla

Remember, remember always, that all of us, and you and I especially, are descended from immigrants and revolutionists.
- Franklin Roosevelt

While their territory has been devastated and their homes despoiled, the spirit of the Serbian people has not been broken.
- Woodrow Wilson

Ivana Todorović

Ivana Todorović

Ivana Todorović je rediteljka kratkih socijalno angazovanih dokumentarnih filmova, koje je pravila u Beogradu i Njujorku. Filmovi „Ja kada sam bila klinac, bila sam klinka“, „A Harlem Mother“, „Rapresent“ i „Svakodnevica romske dece iz bloka 71“ prikazani su na preko 100 internacionalnih filmskih festivala poput 63. Festivala u Berlinu, Berlinale Shorts; IFF Rotterdam, The Traverse City Film Festival (festival Michael Moore-a), Palm Springs Shorts, Sarajevo Film Festival; Anthology Film Archive u Njujorku i Cultura Contemporiana de Barcelona. Nagradjivani su na festivalima u Srbiji, Kosovu, Americi, Rusiji, Italiji, Kanadi.

Film „A Harlem Mother“ je uvršten u online video biblioteku New York Times-a. Ovi filmovi se koriste u obrazovanju, medijskim kampanjama i NVO sektoru u Srbiji i svetu. Ivana se bavi i obrazovanjem mladih, drži radionice dokumentarnog filma i odrzala je TEDxAUK govor u Prištini. 2018te magistrirala je na katedri TV i Filmske rezije na Fakultetu Dramskih Umetnosti sa kratkim igranim filmom „ Kada sam kod kuce“. Diplomirala je na Documentary Media studies na New Schoolu u Njujorku, kao i na katedri za Etnologiju i Antrologiju na Filozofskom fakultetu. Zavrsila je u Beogradu francusku radionicu dokumentarnog filma Ateliers Varan, osnovanu od strane Jean Rouch-a. Jedna je od izabranih umetnika 2015. u Saary rezidenci programu u Finskoj. Godine 2010. bila je izabrani menti u programu New York Foundation for the Arts u Njujorku.

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Fionn Zarubica

Fionn Zarubica

Fionn Zarubica, a native of Los Angeles, California, attended the University of California, Santa Barbara as well as the University of California, Los Angeles. On the theatrical side Fionn has worked for over twenty years as a costume designer, designing costumes for theater, film, ballet, opera and television in the United States, Canada and Europe. On the museum side, she has worked at the Autry National Center, on the Southwest Museum of the American Indian Preservation Project, and in January of 2006 joined the department of Costume and Textiles of the Los Angeles County Museum of Art (LACMA), where she was responsible for the management and care of the museum's renowned and comprehensive costume and textile collections, and oversaw ongoing rotations of the permanent collection throughout the museum.

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Jesus Christ Is The Same Yesterday Today And Unto the Ages

Jesus Christ Is The Same Yesterday Today And Unto the Ages

In this latest and, in every respect, meaningful study, Bishop Athanasius, in the manner of the Holy Fathers, and firmly relying upon the Apostles John and Paul, argues that the Old Testament name of God, “YHWH,” a revealed to Moses at Sinai, was translated by both Apostles (both being Hebrews) into the language of the New Testament in a completely original and articulate manner. In this sense, they do not follow the Septuagint, in which the name, “YHWH,” appears together with the phrase “the one who is”, a word which is, in a certain sense, a philosophical-ontological translation (that term would undoubtedly become significant for the conversion of the Greeks in the Gospels). The two Apostles, rather, translate this in a providential, historical-eschatological, i.e. in a specifically Christological sense. Thus, John carries the word “YHWH” over with “the One Who Is, Who was and Who is to Come” (Rev. 1:8 & 22…), while for Paul “Jesus Christ is the Same Yesterday, Today and Unto the Ages” (Heb. 13:8).

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