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Archimandrite Sebastian Dabovich

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Archimandrite Sebastian Dabovich
SERBIAN ORTHODOX APOSTLE TO AMERICA
by Hieromonk Damascene (Christensen)
St. Herman of Alaska Monastery, Platina, California

 

 

1. An Apostle of Universal Significance

Born during the presidency of Abraham Lincoln, Archimandrite Sebastian Dabovich has the distinction of being the first person born in the United States of America to be ordained as an Orthodox priest,[1] and also the first native-born American to be tonsured as an Orthodox monk. His greatest distinction, however, lies in the tremendous apostolic, pastoral, and literary work that he accomplished during the forty-eight years of his priestly ministry. Known as the "Father of Serbian Orthodoxy in America,"[2] he was responsible for the founding of the first Serbian churches in the NewWorld. This, however, was only one part of his life's work, for he tirelessly and zealously sought to spread the Orthodox Faith to all peoples, wherever he was called. He was an Orthodox apostle of universal significance.

Describing the vast scope of Fr. Sebastian's missionary activity, Bishop Irinej (Dobrijevic) of Australia and New Zealand has written:

"Without any outside funding or organizational support, he carried the gospel of peace from country to country.... Concentrating much of his work in the United States, he ceaselessly traveled back and forth across the American continent, using every available mode of transportation—from stagecoach to railroad to foot. His wider ministry stretched from the Aleutian Peninsula of Alaska, to Russia and Japan, to small Balkan towns on the coasts of the Black and Adriatic Seas."[3] It is said that Fr. Sebastian baptized more people than any other Serbian priest of theWestern Hemisphere.[4] St. Nicholai (Velimirovich)[5]of Zhicha, Serbia, who buried Fr. Sebastian at the ZhichaMonastery when the latter reposed there in 1940, called him "a viceless man" and fittingly designated him "the greatest Serbian missionary of modern times."[6]

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[1] Alaskan-born priests were ordained before Fr. Sebastian, but this was when Alaska was still part of Russia.
[2] Mirko Dobrijevic (later Irinej, Bishop of Australia and New Zealand), "The First American Serbian Apostle—Archimandrite Sebastian Dabovich," Again, vol. 16, no. 4 (December 1993), pp. 13–14.
[3] Ibid., p. 13.
[4] John R. Palandech, Commemorative Book of the Serbian Orthodox Church in Chicago, 1905–1955. Quoted in Mirko Dobrijevic (Bishop Irinej), p. 15.
[5] In this article we have spelled St. Nicholai's given (first) name in the way that he himself spelled it when writing in English.
[6] Bishop Nicholai (Velimirovich), "Father Sebastian Dabovich," in Serb National Federation Commemorative Book, 1951.


SA

 

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Божидар Пурић

Др Божидар Пурић (рођен 19. фебруара 1891. године, у Београду, Краљевина Србија – умро 28. октобра 1977. године, у Чикагу, Илиноис, Сједињене Америчке Државе), био је српски и југословенски политичар и дипломата, као и председник Министарског савета (владе) и министар иностраних дела Краљевине Југославије од 10. августа 1943. до 1. јуна 1944. године, у Лондону током Другог светског рата.

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Sailors of the Sky

A conversation with Fr. Stamatis Skliris and Fr. Marko Rupnik on contemporary Christian art

In these timely conversations led by Fr. Radovan Bigovic, many issues are introduced that enable the contemporary reader to deepen and expand his or her understanding of the role of art in the life of the Church. Here we find answers to questions on the crisis of contemporary ecclesiastical art in West and East; the impact of Impressionism, Expressionism, Cubism, Surrealism and Abstract painting on contemporary ecclesiastical painting; and a consideration of the main distrinction between iconography and secular painting. The dialogue, while resolving some doubts about the difference between iconography, religious painting, and painting in general, reconciles the requirement to obey inconographic canons with the freedom essential to artistic creativity, demonstrating that obedience to the canons is not a threat to the vitatlity of iconography. Both artists illumine the role of prayer and ascetisicm in the art of iconography. They also mention curcial differences between iconography in the Orthodox Church and in Roman Catholicism. How important thse distinctions are when exploring the relationship between contemporary theology and art! In a time when postmodern "metaphysics' revitalizes every concept, these masters still believe that, to some extent, Post-Modernism adds to the revitatiztion of Christian art, stimulating questions about "artistic inspiration" and the essential asethetic categories of Christian painting. Their exceptionally wide, yet nonetheless deep, expertise assists their not-so-everday connections between theology, ar, and modern issues concerning society: "society" taken in its broader meaning as "civilization." Finally, the entire artistic project of Stamatis and Rupnik has important ecumenical implications that aswer a genuine longing for unity in the Christian word.

The text of this 94-page soft-bound book has been translated from the Serbian by Ivana Jakovljevic, Fr. Gregory Edwards, and Andrijana Krstic. Published by Sebastian Press, Western American Diocese of the Serbian Orthodox Church, Contemporary Christian Thought Series, number 7, First Edition, ISBN: 978-0-9719505-8-0